TAMALYN解释中东舞蹈是“什么？”
　　“肚皮舞”是一个误称，一直像一把伞，涵盖从许多区域，包括移动臀部各种舞蹈。1893，在芝加哥世界博览会的北非洲村美国启动创造这幅名为女性的舞蹈形式在他亭子可用各种各样。名称出售门票，好奇的人。他们的舞蹈和仍然是强大的和解放。“肚皮舞”放在盒子里，让人想起了许多图像……很少描绘的训练和奉献的年需要成为一个“肚皮舞者”。”肚皮舞”得到的形状，一个很好的方式，因此，tamalyn选择保持“肚皮舞”，如果她是做一个有趣的，健身相关的事件，大家可以试试。一旦舞蹈超越了娱乐和健身，文化和艺术的境界，必须探索其他的名字。



　　“现代巴拉底”指人。很久以前，舞蹈女性彼此之间没有名字。这只是他们的方式跳舞。基本动作的简单词汇需要几个星期来学习，来完善和理解。现在，这种有机的家常阿拉伯舞蹈被称为“现代巴拉底。”
“Raqs Sharqi”意味着“东方舞”在阿拉伯语。这是一个“现代巴拉底”从妇女的家庭和带到舞台的程式化的版本。通过埃及流行电影从1930年代到1960年代，“东方舞”是中东地区的人在婚礼和其他庆祝活动的重要组成部分。随着精心制作的服装和从芭蕾舞和其他的舞蹈形式借来的步骤添加，这个舞蹈是人们最常asscociate与“肚皮舞”。实际上，“肚皮舞”是一个包罗万象的术语“Raqs Sharqi，“现代巴拉底”和中东妇女的舞蹈，有世界各地的许多文化中得到普及，其他几个子类别。
“解释的中东舞”是这样的名字创建不再满足箱。tamalyn舞是沉浸在传统的“现代巴拉底，“经历了她的时间在埃及的绿洲。她沿着东非斯瓦希里海岸的群岛女人跳舞，和经验丰富的土耳其罗马（吉普赛）庆祝活动。tamalyn的签名风格具有弗拉门戈的味道，这是自然的，加上一些姿势及手部动作的时间花在亚洲。这种融合是来自深处，随着有机运动和个人风格。她认为舞蹈作为一种艺术。它治愈身体，精神，灵魂，和可以治愈整个社会如果我们让它。
　　如何解释这种折衷主义的信息和给它下定义？该基地是中东。这是一个理解的许多生活的经验……”解释中东舞蹈。”
tamalyn采用名称“解释的中东舞”作为自己的艺术形式。她周游世界，包括大部分中东和北非，研究舞蹈和音乐，以及人民生活和学习的第一手的文化中。女士的训练是为她达拉尔旅行生活的折衷。她已经研究了许多风格的舞蹈，从印度古典弗拉门戈，芭蕾舞，现代，西非，波斯，她所有的时间最喜欢的“肚皮舞”。



英文原意：
What is"Interpretive Middle Eastern Dance?"
"Bellydancing" isa misnomer that has stuck as an umbrella, encompassing a variety of dances frommany regions that involve moving the hips. In 1893, an American promoter of theNorth African village at the Chicago World's Fair coined this racy name for anassortment of female dance forms available at his pavillion. The name soldtickets to curiosity seekers. The dances they did were and still are powerfuland liberating. The word "Bellydancing" puts them in a box thatconjures up many images...few of them portray the years of training anddedication that it takes to become a "bellydancer"."Bellydancing" is an excellent way to get in shape, thus,Tamalyn has opted to keep the word "bellydancing" if she is doing afun, fitness related event that everyone can try. Once the dance goes beyondfun and fitness and into the realm of art and culture, other names must beexplored.
"Beledi" meansof the people. Long ago, the dance women did among one another had no name. Itwas just the way they danced. The simple vocabulary of basic movements takesweeks to learn, and years to pefect and understand. Now, this organic homestyleArabic dance is called "Beledi."
"RaqsSharqi" means "Oriental Dance" in Arabic. This isa stylized version of "beledi" taken from the homes ofwomen and brought to the stage. Made popular via Egyptian films from the 1930'sto the 1960's, "Oriental Dance" is an important part ofweddings and other celebrations among Middle Eastern peoples.With elaboratecostumes and the addition of steps borrowed from Ballet and other dance forms,this dance is what people most often asscociate with the term"bellydancing". In actuality,"bellydancing" is just acatch all term for "Raqs Sharqi, "Beledi" and several other subcategories of Middle Eastern women's dance that have gained popularity amongmany cultures around the globe.
"Interpretive MiddleEastern Dance" is what happens when the boxes that names create no longerfit. Tamalyn's dance is steeped in traditional "beledi," asexperienced during her time spent in Egyptian oases. She danced with women onislands along East Africa's Swahili Coast, and experienced Turkish Roman(Gypsy) festivities. Tamalyn's signature style has a Flamenco flavor, whichcomes naturally, combined with some postures and hand movements from time spentin Asia. This fusion comes from deep within, as organic movement and personalstyle. She sees dance as a healing art. It heals the body, mind, soul, and canheal entire societies if we let it.
How does oneinterpret this eclectic array of information and give it a definition? The baseis Middle Eastern. It is an interpretation through many of life'sexperiences... "Interpretive Middle Eastern Dance."
Tamalyn has adoptedthe name "Interpretive Middle Eastern Dance" as her artform. She has traveled the world, including much of the Middle East and NorthAfrica, researching dance and music, as well as living among the people andlearning about culture first hand. Ms. Dallal's training is as eclectic as hertraveling life. She has studied many styles of dance, ranging from IndianClassical to Flamenco, Modern, Ballet, West African, Persian,  to her alltime favorite- "bellydancing".

"感受天空的能量，让身体如空气般轻盈，随风飘扬。
感受大地的力量，让重心稳如泰山，不可撼动。"
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